The origins of the Multi-Bus Compression technique harnessed by Brauer are rooted in an Aretha Franklin mix. ![]() The problem with stereo bus compression is that the compressor will react based upon the wide range of input material it receives, which when utilizing a compressor with a particular frequency response can soon lead to particular frequencies compressing more than others and begin to detriment that mix you worked so hard to perfect. It is common practice to utilize compression across the stereo bus in order to compress the entire mix in an effort to add tone, attitude or knit the mix into a more cohesive product. Multi-Bus Compression – Introduction and Analogy ![]() This how to guide will explain the three stage process of “Brauerizing” Multi-Bus Compression, Multi-Vocal Compression and the utilization of dual parallel 1176’s for extra cushion in the mix. “Brauerizing” is the name given to a mixing mentality honed by Grammy award winning mixing engineer Michael Brauer, feeding audio into compressors and equalizers in order to impart harmonic content to the input signal, as well as utilizing subtle group compression to “glue” audio together through an audio phenomena known as “counter pumping”.
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